مسرحية الحياة
January 16, 2026
|By Reham Hashem
مسرحية الحياة
Acrylic • 50x70 cm • 2021
حين ارتفع الستار، وجد الإنسان نفسه واقفًا على خشبةٍ لم يخترها، يؤدي دورًا لم يُمنح نصَّه كاملًا. حوله وجوهٌ تتبدّل، ومشاهد تتعاقب، وتصفيقٌ يأتي أحيانًا، وصمتٌ قاسٍ يأتي أكثر.
ظنّ أن البراعة في إرضاء الجمهور، فغيّر صوته وحركاته، حتى نسي ملامحه. ومع مرور الفصول، أدرك أن المسرح لا يطلب الكمال، بل الصدق؛ وأن الخطأ جزءٌ من العرض، لا نهايته.
وحين اقترب الستار من الهبوط، فهم أخيرًا أن الحياة لم تكن امتحان تمثيل، بل فرصة ليكون نفسه، مرةً واحدة… أمام الجميع، وأمام ذاته.
The Play of Life
When the curtain rose, the human found himself standing on a stage he had not chosen, performing a role whose full script he had never been given. Around him, faces changed, scenes followed one another, applause came at times, and harsh silence came more often.
He believed that mastery lay in pleasing the audience, so he changed his voice and movements until he forgot his own features. As the acts passed, he realized that the stage does not demand perfection, but sincerity and that mistakes are part of the performance, not its end.
When the curtain rose, the human found himself standing on a stage he had not chosen, performing a role whose full script he had never been given. Around him, faces changed, scenes followed one another, applause came at times, and harsh silence came more often.
He believed that mastery lay in pleasing the audience, so he changed his voice and movements until he forgot his own features. As the acts passed, he realized that the stage does not demand perfection, but sincerity and that mistakes are part of the performance, not its end.